My official recommendations for pros in the book industry

Looking for professional services to bring you next book project to publication?

Here's a list of the people I've found who do excellent work:

Formatting:

Editing:

  • I have another awesome editor I use (who is rather inexpensive), but she has no website as of now since she does it part-time. If you're looking for a budget-friendly editor, send me an email and I'll hook you up.

Covers:

Logos, Designs, Book Trailers, and Author Merch (like t-shirts, stickers, things to sell or giveaway at convention booths, etc.):

  • Brad Lark (blark@blark.com) is the only person I’ve found so far with reasonable rates for that kind of work. Shoot him an email. You can see some of his portfolio here. And you can check out his full website here: Flying Pork Apparel.

ARC Services:

Facebook Ad Management:

  • Isaac Boldery manages my ads. Contact him (isaac.boldery@gmail.com) for info on packages and prices, etc.

Looking for AMS ad generation, blurb help, or other personalized marketing solutions?

Want your service to be featured?

  • Too bad. I only feature services that I’ve personally used and found to be exemplary. You can’t pay to be on the list. (Alright, well… at a certain number I won’t say no, but you’ll need to at least be paying a few of my mortgage payments before you catch my attention)

 

What a cheesy picture…

What a cheesy picture…

Some guidance when editing

A COUPLE WORDS ON EDITING

A two part series on editing and working with an editor.

 

Part 1: The debate between 'track changes' and comments.

Alright, so if you've worked with multiple editors, you've probably seen multiple styles. The first pro editor I ever worked with used track changes. The manuscript was trash (my first novel. It was honestly horrid.) so there were just thousands and thousands of corrections. The editor used track changes, which gives you a quick option to simply 'accept' the edit or not. You click a button and the edit is made exactly how the editor made it on the manuscript, then you move on. For my first manuscript, one riddled with errors, I spent about 2 days applying the edits. I read most of the changes before I clicked 'accept' on about 99% of them. Long story short, the novel still sucks.

Using comments: you've seen the little comment bubbles next to a manuscript. Google Docs and MS Word both support the exact same format. My second professional editor used comments, and that's all I will accept from an editor now. Let me tell you why.

Comments taught me how to be a better writer. 

When I used track changes, I just sort of mindlessly hit 'accept' on almost everything. Then when I wrote my next book, I made all the same errors again. The same damn errors.

When I read comments from my editor, I have to read the whole comment to understand what the issue is with the sentence. Then I have to read the sentence I had written to figure out where / what the error is. Then I have to make the correction myself and delete the comment. It takes far longer to do, and that's great. When I see the 4th comment correcting the same comma error, for example only using a comma before a coordinating conjunction if the following clause is independent, I learn how to write correctly. Now I don't make that mistake in my manuscripts. Well, ok, I make it every now and then, but not often. 

Learning how to be a better writer is the #1 most important thing you can gain from working with a pro editor. 


Part 2: A couple pet peeves I see in a lot of indie writing.

You might recall an article I wrote a long time ago regarding the word 'this.'

Here's an expansion of my thoughts from that article. Consider the following sentences:

1. She laughed at all this and walked on.

2. They fell into his trap. He had planned this to happen just the way it did.

3. They crested the hill by the lake. Now he had them in his sights.

4. Sixteen penguins pecked savagely at the helpless hunter. He tried to defend himself from this, but it didn't work.

5. Trump and Obama finally found the lost WMD in the cave they were currently exploring.

We'll take these sentence one at a time. It should also be said that I made all of them up off the top of my head. Obviously. They're terrible. I would never write that garbage into a book. Well, maybe something close to #4, but that's it.
 

Sentence 1: If you're a good storyteller, the reader should know why she is laughing. She knows Hillary just lost the election. You mentioned the TV in the previous line, right? Saying "at all this" is just redundant. We know why she's laughing! A better line 1: "She laughed, turning her back to walk on." - Still not wonderful, but you get the idea. Don't tell the reader everything. Tell them just enough.

Sentence 2: You don't want to say: "He had planned the trap" or anything like that because "trap" would be repetitive. As it stands, "this" is redundant with "his trap" in the previous sentence. You have a couple options with sentence 2. Perhaps try something like: "He had planned everything flawlessly." You get the idea. We already know about the trap, so don't tell us about the trap again.

Sentence 3: A little deviation from 'this' commentary. Time stamps. Unless you just finished with a memory / flash back / flash forward / something else similar, you don't need to time stamp events. Of course it is happening currently, I'm reading it currently! Just cut the time word 'now' and you have a better sentence. 

Sentence 4: Another instance where 'this' (plus 'from') could be cut to drastically improve the writing quality. I'm not going to point fingers, but I saw that exact construction in an indie horror novel I read recently.

Sentence 5: Another redundant time expression. Unless you have the story being told by Sarah Palin as a memory of that spelunking expedition she did with Trump and Obama, it doesn't make sense. Just remove the time expression and you improve the sentence. And yes, I read something almost identical to #5 not too long ago. Different characters though. Sadly...

Hopefully everything here makes sense. Oh, and do a quick Ctrl+F search on 'this.' You won't find it outside being specifically called out. You can write good fiction—and non-fiction—without using the word. 

Fantasy Editor Tries His Hand at short story writing

A few months ago, I somehow convinced the editor I worked with on Goblin Wars and For We Are Many to write his own short story. The story isn't long - give it a read and see what you think!


Power

by Josiah Davis

     Power.  It was what I sought—and what I had achieved.  Years of intense training, of humiliation under my…masterI shuddered at the wordhad finally come to fruition.  I had power far beyond anything I had ever thought possible.  I gave a mirthful grimace, the closest to a smile my cracked lips had formed in months, as I thought of the irony of the moment.  Power, and yet it wasn’t truly mine…or was it? 

     I rose from my treetop perch, slowly stretching my legs, feeling the taut muscles contract and expand as normal blood flow resumed.  Drawing Bloodweep from my back, I held the bow out in front of me with my lone, living arm, the weight of the wood perfectly balanced and familiar.  I gazed down my right side, looking at the limb that I treasured beyond all elseand despised in equal measure.  The rotted flesh had remained in stasis, thankfully not decomposing further.  The arm radiated strength and might, giving off a faint black aura of energy to those who looked closely enough.  Such…power, and yet it was nothing I could have achieved by natural means.

     I leapt down from the tree, landing without a sound on the cold, hard earth below.  Gazing into the clearing, I steeled myself for what was to come; though in truth, I had never felt more ready.  Two years.  Two years it had been since I was cast away.  No, since I was set free.  My master- the taste of that word still bitter on my lips- had denied me further training, telling me that I was not ready to learn more.  I had trained with him for over a decade, confident when I first began my work that I could surpass him.  And yet, no matter how much progress I made, it was never enough.  He always stood above me, his skill entire leagues ahead of mine.  He told me my ability had increased tremendously, but I was not ready to learn all he had to offer until I had traveled and experienced the world on my own.  Experience the world.  I had done as he wanted, ventured forth and seen what the world had to offer.  Though somehow, I don’t think killing an undead archer lord and taking his arm for my own was what he meant. 

     I thought back to the moment those many months ago when I had heard tale of Rivonor, a famed warrior of old, rising once again to haunt the crypts beneath Kardolind.  The work of some Lich or another; that part didn’t matter to me.  I quickly found a group of greedy-eyed adventurers, their lust for treasure dripping from their worthless countenances.  None of the miserable group possessed even a modicum of true strength.  Their Warlock seemed content to go about his daily life in drudgery, apparently ignorant to the good-hearted nature of the rest of the group.  Their Priest was even worse: as far as I could tell, the man couldn’t cast a single healing spell to save his life, or rather I should say, the lives of his party members.  Their Paladin was a useless example of purity, and would sooner apologize and mend the armor of a man he struck down than finish him.  The rag tag ensemble was completed by a Wizard, whose spell book seemingly consisted of a single spell, and even that he casted poorly.  If the fools and I had any hope of eradicating Rivonor, it would rest near entirely upon my shoulders. 

     We had cut through the denizens of the crypt with ease, though not to any credit of the weak band.    Upon first glance, it appeared as if the undead were merely fleeing from our swath of destruction, but I knew it was something more.  They were drawing us in, guiding us.  As the arrogant fools of the party confidently strode through an unusually large stone archway, I held back, knowing that preparation, not bravosi, was the true precursor to victory.  Their reckless laughter was cut short as they took full stock of the death trap they had leisurely entered.  All of the reanimated corpses that had fled from our assault had regrouped in the chamber, which seemed to be the throne room of the crypt.  Scores of the undead lined the walls of the room, all heavily armed with sword and shield or bow. 

     Sighing in frustration, I knew the time had come for me to show this group the true measure of the warrior that had graced them with his presence.  I stepped forward into the room, drew Bloodweep from my back, and let the grim work of a true artist begin.  All actions slowed around me as my focus set in and my mind fell into the familiar pattern, drilled into me from years of training: set, draw, aim, release, set, draw, aim, release.  On and on the rain of death continued, the shafts flying from my bow with the calm, practiced precision of a surgeon.   Arrows sang as they lanced through the air, shearing the undead bodies into splintering fragments.  Bone shards and dust exploded all throughout the room as the piercing bolts of death struck unerringly true. 

     I gave pause as my first quiver ran dry, stopping to take measure of what life still remained.  The dust slowly cleared and the entire worthless rabble I had journeyed with turned to gawk at me, awestruck.  Every member of the corpse horde had been splintered and destroyed.   Their dry, cracked remains were strewn about the floor, littering the room with debris.  As the dust fully settled, I finally caught sight of him, the entire reason I had gone on this worthlessly trivial expedition.  Rivonor rose from the cold stone throne, standing tall and proud, despite the cracked and rotted flesh that covered his body.  Without a word, he pulled his bow off of his back, set and nocked an arrow with blinding deftness, and let fly.  The speed!  I thought to myself, blown away with the level of strength he exhibited.  And unlike Bloodweep, which was a composite bow meant for pure draw speed, he was wielding an absolutely massive greatbow; the huge, carved wooden shaft had to have been at least six and a half feet long!  The strength to draw that bow, and the agility; this man has true power.  The arrow streaked in…and flew far wide of anyone in the group.  I was taken aback.  How can he have such strength, but shoot so poorly?  He drew again, the muscles in his draw arm visible as he pulled back the string to full tautness and released, all in less than half a second.  Once more, his arrow flew far from his mark, or any mark for that matter, as it clattered harmlessly against the stone wall.  Slowly, the truth began to dawn on me.  His body possesses all of the strength it used to, but he no longer has the mind of a true archer.  Grinning inwardly, I knew that my prize was now within sight.  I ordered the group to charge and the feeble minded fools immediately followed the commands of one they knew was their better. 

     The conflict was over in mere seconds.  Rivonor, though possessing strength and power in his body, was no more than a mindless husk, an empty shell of his former glory.  The Paladin landed a devastating mace strike upon his rotting hip, and the joint shattered, exploding in bones and decayed flesh.  The undead Ranger fell to the ground, still alive, but helpless, and unable to rise once more to his feet.  A loud cheer echoed across the stone floor as the group celebrated their “victory” over the reanimated corpse.  As a true testament to their cowardice, however, none of the party were willing to even attempt to deliver the final blow.  Each took a wide berth around the flailing, helpless body of Rivonor as they predictably split up and began searching for treasure amidst the rubble.   Their looks of avarice disgusted me and I cringed inwardly as I watched them claw desperately through the debris for anything of worth like wild animals.  Now.  Now was the moment I had waited patiently for, the entire reason I had put up with these wretches.   I reached back into my second quiver, and my body fell into the pattern of death once more.  Set, draw, aim, release.       

     The Wizard’s head snapped forward as the first shaft lanced through his skull, ending his life instantly.  Another arrow was already flying before any of the party knew that something was amiss.  The next two were equally helpless against the face of true skill; my second shot tore through the exposed throat of the Paladin, silencing any defensive wards he was attempting to raise.  I stared down the helpless Priest next, my stony resolve unwavering despite his desperate pleas for mercy.  The third shaft pierced his head between the eyes, rocking his skull backwards.  I watched his eyes go dull as his last breath escaped his lungs.  Finally, I turned to the Warlock, arrow already set and drawn.  I caught the faintest hint of a whisper crossing his lips, but too late.  My bolt flew from the string and I smiled as I watched it land squarely in his chest, ripping the life from his body…and then suddenly burst into flame.  I stood watching in shock, and then felt a blinding pain sear across my right arm.  Realization set in.  Those words he was murmuring, it was a spell!  My right arm erupted in flame as the backlash from his fire shield took full effect.  I watched in horror as the skin began to crackle and melt, the pain freezing me in place. 

     Finally, I jolted into action, agonizing pain tearing through my entire body.  I attempted to roll to the ground in a feeble effort to quell the flames eating my flesh, but only succeeded in falling forward to my knees, my dexterity crippled from the wounding blaze.  I writhed on the ground in horrendous pain, feeling bits of bone and sharp stone dig into my body, further exacerbating my torment.  Finally, after minutes of this agony, my efforts paid off and the flames were staunched against the rough dirty floor.   Shaking and groaning I rolled to my side and looked in open horror at the smoldering husk of my arm.  The burned limb bubbled and cracked, the slightest movement at all causing ash to freely fall.  I’ll never use this limb again I thought in horror.  My mind began to race with the repercussions of this, though I knew the truth; I would never be able to fire a bow.  I couldn’t let this sacrifice be wasted though.  I was here for a reason.                      

     Now I was alone, and free to accomplish what I had come for.  I strode weakly towards the writhing body on the floor, the helpless undead apparently able to feel pain in his reanimated state, judging from the agonized expression etched into his visage.  Such power, and yet all wasted.  I had come here to learn of his strength, but now I realized that plan had been in vain.  This worthless creature had the strength of Rivonor, but no idea how to control it all.  Frustrated, I turned and began gathering salvageable arrows, when my peripheral settled on something.  His arm.  I immediately dismissed that thought.  Can that power be mine?  Is it possible to seize the strength of one so mighty and make it my own?   It was impossible- ridiculous to even think.  And yet…his arm had given him the incredible draw speed and power I had marveled at earlier.  Slowly, my mind began thinking of the possibilities.  The power to wield a bow like an ancient lord of battle.  My resolve strengthened, and I made up my mind.  Searching around the room, I finally settled on a sharp, serrated axe that looked closer to a hacksaw than a true weapon.  As I grabbed the tool and felt its weight in my grasp, the undead’s eyes seemed to grow wider in terror.  Ah, so you can think freely.  Poor beast.  This won’t be pleasant.

     I emerged from the crypts some time later, blood and gore covering my torso, and a large burlap sack slung over my back.  Dozens of townsfolk swarmed me as I walked down the street, buffeting my every step.  I roughly shouldered my way through the throng, cursing inwardly at the hideous pain that wracked my body from the contact to my seared arm.  However, my stride remained unbroken; I didn’t have time for those peons.  My path now clear, I strode through the city, outwardly confident and stern, but inwardly apprehensive about what I was going to do.  Kicking open the door of the apothecary, I strode through the front of the store towards the back, where I knew the city’s only black market surgeon worked.  I dropped the coarse sack on his table, smirking at his shocked expression as a rotted arm fell onto his already bloodstained operating table.   

      “I have a job for you.” 

 

 

 

 

 

Peer into the mind of a horror editor...

Interview with Sanitarium Magazine editor Barry Skelhorn

 

When did you get into the fiction industry and what drew you toward the horror genre?

When I was young, my Granddad lent me a copy of Frankenstein – which I devoured. Soon after that he lent me Dracula and a few collections of M.R James. Over time I read more and more horror and it grew from there.

There is just something about horror and the written word, the writer leads you one way, but it is your imagination that fills in the darker gaps and that’s the beauty of it.


As an editor selecting a story for publication, what is the line that you won't cross? How much violence, even beautifully written, is too much?

Personally I think that most subjects, if they are in the correct context can add to a story. However I won’t entertain any works of fiction with any graphic sexual reference to minors.




What is your take on the standard giants of the horror genre such as King, Matheson, Laymon, Bierce, and Koontz? How do some of the indie writers of today stack up against the legends?

Everyone has to start somewhere. As the story goes; without Tabitha King picking Carrie out of the bin and giving her feedback maybe King wouldn’t be where he is now.

 

There are so many indie authors that are making strides in the horror genre today – it would be wrong to single a few out. I would also like to give a shout out to the small and not so small independent presses that are keeping the integrity of the business together.



When selecting a story for publication, do you tend to prefer more psychological and subtle themes or more overt and graphic tales?

The way Sanitarium works is simple – you never know what is going to be behind each case file. Each issue that we collate we try and keep a mix of sub-genres so there is an eclectic collection of tales for the reader.

 

I find going from (for example) one zombie story, then another and another is great. But after a while you end up comparing them and not enjoying them as much.




What direction do you see the Sanitarium Magazine taking in the future? Any major milestones coming up?

We are working on a new look that we are bringing in one piece at a time. The magazine will be offering a printed copy as payment from the start of 2015. Also we are changing the tag line so we can cover more in its pages. “Showcasing Horror Fiction, Dark Verse and Macabre Entertainment”



Which issue of Sanitarium Magazine do you consider to be the best? What sets it apart?

Cover wise I love issue 20 with Kevin Spencer’s artwork “skull” – the vibrant colours and washed effect really works for me. As for the stories, there are a few stand out ones for me but we have found everyone has their favourites and we’re happy with that.




If you could interview any horror writer, living or dead, who would it be? How do you think they would act face to face?

Sadly one of the greats we were close to interviewing with was James Herbert. We are based in the UK and he lived only a short drive away but it was not to be. I think his style of writing where it was quite close to the bone both with gore and sexual undertones struck the right balance.

 

I would of course love to interview Clive Barker, Stephen King.


What is the most terrifying thing you've ever read?

I think this has to be put in context. I was 16, on a family holiday in France and we were staying in a large converted farmhouse just outside of Bordeaux – I was staying in the bat house.

 

Whilst staying there I started to re-read Stephen King’s Salem’s Lot. The summer storms were a sight to be seen and the atmosphere was just right for a good scare. So with every turn of the page, the story gripped me more than it had the first time around.



Have you had any horrific experiences in your own life that you couldn't explain?

I wouldn’t say horrific but there were a couple when we stayed in the farmhouse. Whilst staying in the bat house one night I felt something hit the bedframe at the foot of the bed. Thinking nothing of it I just fell back asleep. I felt it again, this time I was jolted awake and flicked on the light. My Brother, asleep in the other bed next to mine, was sound asleep. Looking around the room, nothing seemed untoward, so hitting the light I went back to sleep.

 

It wasn’t until the morning when both of us awoke did we realised what had happened. My bed, which has started flush against the wall, was now a good foot from the wall.  

It turns out that when they were renovating the farmhouse, they came across a soldier’s helmet with a bullet hole through it – I think I was sleeping in his snipers nest and he wasn’t best pleased.


Finally, does your love of horror branch into other media such as movie, music, art, etc.?

 

Most media interests me in the horror world. I have mentioned Clive Barker as a writer but I also love his style of art from “The Hellbound Heart” to “Abarat” and everything in between. If I could I would have a piece hanging in my office for inspiration. Another that I really have a lot of time for is the theatre and plays such as Danny Bolye’s Frankenstein, Susan Hill’s The Woman in Black. It would be interesting to work with some of the writers who have appeared in Sanitarium and put together a 3 Act show with some of the stories.